I was having a really bad day, and then I drew this tiny angry face and felt better for a while.
I was having a really bad day, and then I drew this tiny angry face and felt better for a while.
Like the first sunrise after a long Arctic winter, TCAF’s arrival filled me with hope. I’m not even sure where to start writing about it, but take note! This is the Plato’s Apple of conventions, the comic convention in its ideal form. Here are just some of the good things about it…
I guess I know where I’m going next spring!
Thanks, Kevin!
He was one of several people at SPACE who asked for review copies, which I was happy to provide. Strangely enough, although Stumptown was 2-3 times bigger than SPACE, not one person at Stumptown asked me for a review copy. I can’t imagine why.
He brings up some questions I probably should’ve answered in the book itself, but since I didn’t, I’ll try to clarify them here.
John Heartfield (1891-1968) was born Helmut Herzfeld in Berlin. After a childhood riven by trauma and an unhappy sojourn in the German army during World War I, he became a founding member of the influential Berlin Dada group, along with his close friend and collaborator George Grosz. Later he gained international fame as a designer of book covers, posters and stage sets, but his greatest achievements were his political photomontages of 1924-1945, which brutally satirized and railed against Adolf Hitler, the Nazi Party, German warmongering, and the injustices of capitalism.
This is why I stopped trying to sell paintings and went back to making reproducible things.
This is the photo I referenced for panels 4 and 165 of NO ONE IS SAFE. My dad is on the far right side, in the middle ground behind the barrier, walking towards the right.
NERVENKRANK is $3, big prints of NO ONE IS SAFE are $29.95.
Sarah and I went to Stumptown and here is the proof. I’ll post my travel journal tonight or tomorrow (still gotta polish it a little).
(Source: Flickr / oceanyamaha)