Katherine Kreider Wirick

I was having a really bad day, and then I drew this tiny angry face and felt better for a while.

I was having a really bad day, and then I drew this tiny angry face and felt better for a while.

Xiao Mao's Things: TCAF: The place to be

kstipetic:

Like the first sunrise after a long Arctic winter, TCAF’s arrival filled me with hope. I’m not even sure where to start writing about it, but take note! This is the Plato’s Apple of conventions, the comic convention in its ideal form. Here are just some of the good things about it…

I guess I know where I’m going next spring!

The first three pages. The first three pages. The first three pages.

The first three pages.

Optical Sloth has a review up of the NERVENKRANK preview minicomic.

Thanks, Kevin!

He was one of several people at SPACE who asked for review copies, which I was happy to provide. Strangely enough, although Stumptown was 2-3 times bigger than SPACE, not one person at Stumptown asked me for a review copy. I can’t imagine why.

He brings up some questions I probably should’ve answered in the book itself, but since I didn’t, I’ll try to clarify them here.

John Heartfield (1891-1968) was born Helmut Herzfeld in Berlin. After a childhood riven by trauma and an unhappy sojourn in the German army during World War I, he became a founding member of the influential Berlin Dada group, along with his close friend and collaborator George Grosz. Later he gained international fame as a designer of book covers, posters and stage sets, but his greatest achievements were his political photomontages of 1924-1945, which brutally satirized and railed against Adolf Hitler, the Nazi Party, German warmongering, and the injustices of capitalism.

"Thus, a great work of art that had been all but lost to us, hanging in a private Norwegian home for more than a century, made a brief public appearance and then was sold off to another private owner, probably to disappear for another 100 years. We will likely never see this work of art again in our lifetimes."

This is why I stopped trying to sell paintings and went back to making reproducible things.

This is the photo I referenced for panels 4 and 165 of NO ONE IS SAFE. My dad is on the far right side, in the middle ground behind the barrier, walking towards the right.

This is the photo I referenced for panels 4 and 165 of NO ONE IS SAFE. My dad is on the far right side, in the middle ground behind the barrier, walking towards the right.

[Flash 9 is required to listen to audio.]

Ohio by Crosby Stills Nash and Young.

I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long. I was going to tell my ridiculous TSA story, but this thing was already 9 pages long.

I was going to tell my ridiculous TSA story, but this thing was already 9 pages long.

I finally made myself a web store

NERVENKRANK is $3, big prints of NO ONE IS SAFE are $29.95.

Sarah and I went to Stumptown and here is the proof. I’ll post my travel journal tonight or tomorrow (still gotta polish it a little). Sarah and I went to Stumptown and here is the proof. I’ll post my travel journal tonight or tomorrow (still gotta polish it a little).

Sarah and I went to Stumptown and here is the proof. I’ll post my travel journal tonight or tomorrow (still gotta polish it a little).

(Source: Flickr / oceanyamaha)

Studies, sketches, handmade books, uncategorizable things.
"Cento" Copyright © Andrew Brinker 2011.